Ecologies of Violence: Crimes against Nature in the Contemporary Cultural Imagination

About

The ongoing destruction of the natural world raises critical questions about responsibility. How do we remember the victims, both human and non-human? And how do we negotiate the difficult question of who is to blame, especially in situations where we are all in one way or another implicated? Contemporary culture plays a crucial role in addressing these questions.

The aim of this project is to understand how environmental degradation is being framed and remembered as violence in contemporary culture, and how representations of such ecological violence articulate and reflect on questions of guilt, implication, and responsibility. Ecological violence has deep historical roots that tie it to other forms of violence, especially colonialism and genocide. Writers, artists, and filmmakers are finding ways of representing these ‘ecologies of violence,’ making visible the historical, structural and discursive links between crimes against humanity and crimes against nature.

This will be the first large-scale cross-media study of the cultural imagination of ecocide and other forms of eco-violence. Drawing on recent approaches in memory studies and ecocriticism, we will elaborate an innovative ecological approach that can account for the connections between different forms of violence and their cultural representation and memory.

This project will effect a reorientation in cultural memory studies and ecocriticism toward a conceptualization of cultural memory in more-than-human terms. Paying attention to how the histories of suffering of humans and non-humans are entangled fundamentally changes the way we think about responsibility.

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Banner images:

  1. Susanne Knittel, 2024, Moreton Bay Fig, UCLA Campus, Los Angeles, California, USA (seeds brought from Australia in the 1870s). 
  2. Ifor Duncan, 2024, Water Hyacinths on the reservoir of the Hidroituango Megadam, Cauca river, Colombia.  
  3. Ifor Duncan, 2024, A bocachico fish on the Hidroituango Megadam, Cauca river, Colombia. 
  4. Sofia Lovegrove, 2018, Tropical Botanic Garden of Belém, Lisbon, Portugal (former Colonial Garden).

News

  • Call for Papers – Post-Extractivist Propositions: Moving Images and Ecologies of Violence

    Call for Papers – Post-Extractivist Propositions: Moving Images and Ecologies of Violence

    8–9 October 2026 This workshop -curated and led by Salomé Lopes Coelho– brings together scholars, artist-researchers, and filmmakers to explore how moving images reveal and challenge extractivism while experimenting with post-extractivist propositions. Here, post-extractivism is conceived as both a horizon and a framework: a set of critical and creative approaches that envision socio-ecological relations beyond…

  • MOVING [IMAGES] POST-EXTRACTIVISM

    MOVING [IMAGES] POST-EXTRACTIVISM

    EcoViolence is proud to announce MOVING [IMAGES] POST-EXTRACTIVISM, a year-long programme organised by Salomé Lopes Coelho, together with the Network for Environemental Humanities. How can moving images reveal and refuse the ecologies of extractive violence? How can cinema enact post‑extractive world configurations? This year-long programme focuses on moving images to think with and against contemporary…

  • Looking back at Ice Memory

    Looking back at Ice Memory

    On 4 December we welcomed Professor Susan Schuppli for an evening presentation Ice Memory hosted by BAK basecamp, alongside The Utrecht Forum for Memory Studies and the Network for Environmental Humanities. From Ice Core archives to the sound of Himalayan glaciers, Schuppli shared elements from her practice that relate to memory in the context of…

More News

Agenda

  • Film screening ‘Savanna and the Mountain’

    Film screening ‘Savanna and the Mountain’

    Join us for the screening of Savanna and the Mountain (Paulo Carneiro, 2024, Portugal), a hybrid documentary that follows the villagers of Covas do Barroso, Portugal, as they creatively resist Savannah Resources, a British company planning a massive open-cast lithium mine in the region, through musical performances and Western-inspired staging. Following the screening, attendees will have…

  • Moving Images and Ecologies of Extractive Violence: A Hybrid EBL Seminar

    Moving Images and Ecologies of Extractive Violence: A Hybrid EBL Seminar

    It is our great pleasure to invite you all to join us for The Eco- and Bioart Lab Hybrid Seminar “Moving Images and Ecologies of Extractive Violence” with speaker Dr Salomé Lopes Coelho (Utrecht University, NL) and respondent Dr mirko nikolić (Södertörn University, SE). In order to join us via Zoom, please REGISTER: https://bit.ly/4lhHfXc Abstract:…

  • “Join the Orca Uprising!” Nonhuman Resistance and Multispecies (In)Justice

    “Join the Orca Uprising!” Nonhuman Resistance and Multispecies (In)Justice

    11th Biennial EASLCE ConferenceUtrecht University14–17 April 2026 We are delighted to announce that the 11th Biennial Conference of the European Association for the Study of Literature, Culture, and Environment (EASLCE), will be hosted at Utrecht University from 14 to 17 April, 2026. Dedicated to the theme of “Nonhuman Resistance and Multispecies (In)Justice”, the conference will…