The ongoing destruction of the natural world raises critical questions about responsibility. How do we remember the victims, both human and non-human? And how do we negotiate the difficult question of who is to blame, especially in situations where we are all in one way or another implicated? Contemporary culture plays a crucial role in addressing these questions.
The aim of this project is to understand how environmental degradation is being framed and remembered as violence in contemporary culture, and how representations of such ecological violence articulate and reflect on questions of guilt, implication, and responsibility. Ecological violence has deep historical roots that tie it to other forms of violence, especially colonialism and genocide. Writers, artists, and filmmakers are finding ways of representing these ‘ecologies of violence,’ making visible the historical, structural and discursive links between crimes against humanity and crimes against nature.
This will be the first large-scale cross-media study of the cultural imagination of ecocide and other forms of eco-violence. Drawing on recent approaches in memory studies and ecocriticism, we will elaborate an innovative ecological approach that can account for the connections between different forms of violence and their cultural representation and memory.
This project will effect a reorientation in cultural memory studies and ecocriticism toward a conceptualization of cultural memory in more-than-human terms. Paying attention to how the histories of suffering of humans and non-humans are entangled fundamentally changes the way we think about responsibility.
Would you like to stay informed about our activities and upcoming events? You are very welcome to subscribe to our mailinglist.
Banner images:
- Susanne Knittel, 2024, Moreton Bay Fig, UCLA Campus, Los Angeles, California, USA (seeds brought from Australia in the 1870s).
- Ifor Duncan, 2024, Water Hyacinths on the reservoir of the Hidroituango Megadam, Cauca river, Colombia.
- Ifor Duncan, 2024, A bocachico fish on the Hidroituango Megadam, Cauca river, Colombia.
- Sofia Lovegrove, 2018, Tropical Botanic Garden of Belém, Lisbon, Portugal (former Colonial Garden).
News
-
Ifor Duncan presents at Blue History Network Graduate forum, Leiden University
On March 24 Ifor Duncan spoke at the Blue History Network’s Graduate forum at the Roosevelt Institute for American Studies, Leiden University. Ifor presented examples from his research at the intersections of political violence with devastated river ecologies and dispossessed communities. Drawing on moving image, sound investigation, and interviews, his talk, ‘River Practice,’ reflected on…
-
Looking back at Forensic Architecture workshop
We were thrilled to co-host a two-day workshop “Mapping Ecological Violence” with the London-based investigative agency Forensic Architecture (FA). The workshop was designed as a space for methodological exchange: how ways of seeing, sensing, mapping, and evidencing ecological violence and harm travel across disciplines and research contexts. On Thursday May 7 we had a day-long workshop with…
-
Launch special Issue Journal of Visual Cultures
On March 24 Ifor Duncan spoke at the launch of the Special Issue of the Journal of Visual Culture entitled Weaving Worlds at the Urban Room, UCL East. The event featured presentations from authors and a roundtable discussion on key themes of the issue, including Ifor’s collaborative article Politics of the turbid image: against underwater fascist visual rhetoric….
Agenda
-
Salomé Lopes Coelho presents at International Symposium ‘media/environment. Screens and Streams in the Age of Climate Crisis’
This presentation examines how collaborative and experimental documentaries, as well as investigative and science communication films and video installations addressing an ongoing lithium extraction conflict in Covas do Barroso construct the memory of ecological violence. By reworking environmental data, collaborative filmmaking, and assembling testimonial and embodied perspectives, these films reinforce and/or resist extraction framed as…
-
Salomé Lopes Coelho gives presentation at Goldsmiths
Baldio, a term said of land that has not been cultivated or used and is figuratively read as worthless or vain, names common lands and waters that have been managed and cared for collectively at least since the Middle Ages. In Covas do Barroso, northern Portugal, the baldios are governed through local assemblies and sustained…
-
Practicing Multispecies Justice. A conversation with Danielle Celermajer
As the climate crisis deepens alongside accelerating biodiversity loss and ecological breakdown, conventional frameworks of justice—focused primarily on human interests—are increasingly called into question. Multispecies justice responds to this challenge by asking how we might recognise the entangled lives, vulnerabilities, and claims of humans, animals, plants, and ecosystems alike. Danielle Celermajer has been a central…






