Ecologies of Violence: Crimes against Nature in the Contemporary Cultural Imagination

About

The ongoing destruction of the natural world raises critical questions about responsibility. How do we remember the victims, both human and non-human? And how do we negotiate the difficult question of who is to blame, especially in situations where we are all in one way or another implicated? Contemporary culture plays a crucial role in addressing these questions.

The aim of this project is to understand how environmental degradation is being framed and remembered as violence in contemporary culture, and how representations of such ecological violence articulate and reflect on questions of guilt, implication, and responsibility. Ecological violence has deep historical roots that tie it to other forms of violence, especially colonialism and genocide. Writers, artists, and filmmakers are finding ways of representing these ‘ecologies of violence,’ making visible the historical, structural and discursive links between crimes against humanity and crimes against nature.

This will be the first large-scale cross-media study of the cultural imagination of ecocide and other forms of eco-violence. Drawing on recent approaches in memory studies and ecocriticism, we will elaborate an innovative ecological approach that can account for the connections between different forms of violence and their cultural representation and memory.

This project will effect a reorientation in cultural memory studies and ecocriticism toward a conceptualization of cultural memory in more-than-human terms. Paying attention to how the histories of suffering of humans and non-humans are entangled fundamentally changes the way we think about responsibility.

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Banner images:

  1. Susanne Knittel, 2024, Moreton Bay Fig, UCLA Campus, Los Angeles, California, USA (seeds brought from Australia in the 1870s). 
  2. Ifor Duncan, 2024, Water Hyacinths on the reservoir of the Hidroituango Megadam, Cauca river, Colombia.  
  3. Ifor Duncan, 2024, A bocachico fish on the Hidroituango Megadam, Cauca river, Colombia. 
  4. Sofia Lovegrove, 2018, Tropical Botanic Garden of Belém, Lisbon, Portugal (former Colonial Garden).

News

  • Ifor Duncan presents at Blue History Network Graduate forum, Leiden University

    Ifor Duncan presents at Blue History Network Graduate forum, Leiden University

    On March 24 Ifor Duncan spoke at the Blue History Network’s Graduate forum at the Roosevelt Institute for American Studies, Leiden University. Ifor presented examples from his research at the intersections of political violence with devastated river ecologies and dispossessed communities. Drawing on moving image, sound investigation, and interviews, his talk, ‘River Practice,’  reflected on…

  • Looking back at Forensic Architecture workshop

    Looking back at Forensic Architecture workshop

    We were thrilled to co-host a two-day workshop “Mapping Ecological Violence” with the London-based investigative agency Forensic Architecture (FA). The workshop was designed as a space for methodological exchange: how ways of seeing, sensing, mapping, and evidencing ecological violence and harm travel across disciplines and research contexts. On Thursday May 7 we had a day-long workshop with…

  • Launch special Issue Journal of Visual Cultures

    Launch special Issue Journal of Visual Cultures

    On March 24 Ifor Duncan spoke at the launch of the Special Issue of the Journal of Visual Culture entitled Weaving Worlds at the Urban Room, UCL East. The event featured presentations from authors and a roundtable discussion on key themes of the issue, including Ifor’s collaborative article Politics of the turbid image: against underwater fascist visual rhetoric….

More News

Agenda

  • Practicing Multispecies Justice. A conversation with Danielle Celermajer

    Practicing Multispecies Justice. A conversation with Danielle Celermajer

    As the climate crisis deepens alongside accelerating biodiversity loss and ecological breakdown, conventional frameworks of justice—focused primarily on human interests—are increasingly called into question. Multispecies justice responds to this challenge by asking how we might recognise the entangled lives, vulnerabilities, and claims of humans, animals, plants, and ecosystems alike. Danielle Celermajer has been a central…

  • II. Film screening ‘Scenes of Extraction’

    II. Film screening ‘Scenes of Extraction’

    ATTENTION: THIS EVENT IS CANCELLED! Join us for the screening of Scenes of Extraction, a film by Sanaz Sohrabi (Canada/Iran, 2023, OL with English subtitles), followed by an online discussion with the filmmaker. This screening is part of the film series Projecting Post-Extractivism. Scenes of Extraction (43 min, Canada/Iran, 2023) traces the historical and visual imbrication…

  • Post-Extractive Assemblies Lab: Lands – Memory – Waters

    Post-Extractive Assemblies Lab: Lands – Memory – Waters

    This session brings together the practices of Ifor Duncan, Roberta di Cosmo and Matilde Patuelli through a shared interest in landscapes marked by extraction, environmental violence and water as a living site of memory, relation and transformation. The session will focus on moving image and embodied participatory methodologies and processes through which these practitioners and…